Time 

unfolds through action and duration, where the body becomes a medium for enacting symbolic structures and lived temporalities.  

Mapping the Memory, 2026

durational performance and participative installation 

The Performance Arcade Festival, Wellington, New Zealand

Engaging with old recycled paper maps, the performance activates layered temporalities embedded in their surfaces. Through touch, comments and creative interactions, participants transform fragmented memories into collective spatial narratives. Time emerges as a shared and evolving process, where geography becomes a living structure.

Grano de Hogar, 2026

performance, 40 min

Museo de Arte Contemporáneo Querétaro, Mexico

The performance reflects on migration and the search for home across historical and mythological time. Working with brick and grain as materials of dwelling and sustenance, the body becomes situated within processes of survival and belonging. Ribbons evoking national identity frame the question of how identity can be carried and rearticulated across territories. 

Golden Hour, 2024

performance, 90 min

PERFORMATICA Festival, Foreign Bodies All Over, Venice, Italy

Set within Venice as a historical site of circulation, the performance reflects on the movement of bodies, goods, and value. Ephemeral gold materials connect the body to economies of memory, labor, and exchange. Time is articulated as a condition shaped by flow, where lived experience intersects with systems of valuation. 

Blindness, 2023

performance, 25 min

Zaratan Arte Contemporânea Gallery, Lisbon, Portugal 

The performance examines the relationship between land, water, and human consciousness through the lens of José Saramago’s metaphor of blindness. Structured around the repetitive naming of ships linked to colonial and postcolonial histories, it frames time as a continuous condition of social and ecological entanglement. 

Performance Archive